Featured Works
All Works
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Chamber
2023- Piano Trio No. 2; piano trio; 10’
2022- Formations; French horn, trombone, and interactive electronics and video; 12’
2021- Four Places on Lake Michigan; flute, clarinet (with bass clarinet), violin, cello, and audio playback; 12’35”
2020- Teach Yourself to Fly from this Pale Blue Dot; percussion and piano; 12'
2016- Breathe; alto saxophone and drum set; 6’
2016- Heavy; bass clarinet, trombone, viola, electric guitar, and percussion (or flute, bass clarinet, electric guitar, double bass, and piano); 9' 30"
2014- On the Nature of Resonance; harp and percussion (vibraphone, small drum); 8'
2014- Metal Work; trumpet, horn, bass trombone (or saxophone trio); 10'
2014- Quartet for Saxophones; saxophone quartet; 16'
2013- Bodies Upon the Gears; flute*, viola, fixed 2-channel electronics (*or clarinet); 4'
2013- GRIME; violin, viola, cello, bass; 8'
2013- Lux Aeterna; brass quintet; 7'
2011- String Quartet No. 2; string quartet; 20'
2010- Black Waters; saxophone quartet; 8’
2009- Piano Trio No. 1; piano trio; 16’
2023- Piano Trio No. 2; piano trio; 10’
2022- Formations; French horn, trombone, and interactive electronics and video; 12’
2021- Four Places on Lake Michigan; flute, clarinet (with bass clarinet), violin, cello, and audio playback; 12’35”
2020- Teach Yourself to Fly from this Pale Blue Dot; percussion and piano; 12'
2016- Breathe; alto saxophone and drum set; 6’
2016- Heavy; bass clarinet, trombone, viola, electric guitar, and percussion (or flute, bass clarinet, electric guitar, double bass, and piano); 9' 30"
2014- On the Nature of Resonance; harp and percussion (vibraphone, small drum); 8'
2014- Metal Work; trumpet, horn, bass trombone (or saxophone trio); 10'
2014- Quartet for Saxophones; saxophone quartet; 16'
2013- Bodies Upon the Gears; flute*, viola, fixed 2-channel electronics (*or clarinet); 4'
2013- GRIME; violin, viola, cello, bass; 8'
2013- Lux Aeterna; brass quintet; 7'
2011- String Quartet No. 2; string quartet; 20'
2010- Black Waters; saxophone quartet; 8’
2009- Piano Trio No. 1; piano trio; 16’
Large Chamber
2023- Crosstown Counterpoint; two antiphonal string quartets and audio playback; 14’
2020- Sound an Alarm; 4 saxophones and 4 percussionists; 12'
2019- Songs of Innocence | Songs of Experience (see Solo Vocal)
2017- Dead White Man Music (see Solo Instrumental/Concerto)
2016- The Quick and the Dead; flute, oboe, clarinet, alto saxophone, bassoon, horn, trumpet, trombone, 2 percussion, piano,
2 violins, viola, cello, double bass; 11'
2014- Beautiful Death; flute, oboe, clarinet, bassoon, 2 violins, viola, cello, double bass; 11’
2012- LUX; 2 C trpts, 4 horns, 3 tbns, tuba; 3'
2023- Crosstown Counterpoint; two antiphonal string quartets and audio playback; 14’
2020- Sound an Alarm; 4 saxophones and 4 percussionists; 12'
2019- Songs of Innocence | Songs of Experience (see Solo Vocal)
2017- Dead White Man Music (see Solo Instrumental/Concerto)
2016- The Quick and the Dead; flute, oboe, clarinet, alto saxophone, bassoon, horn, trumpet, trombone, 2 percussion, piano,
2 violins, viola, cello, double bass; 11'
2014- Beautiful Death; flute, oboe, clarinet, bassoon, 2 violins, viola, cello, double bass; 11’
2012- LUX; 2 C trpts, 4 horns, 3 tbns, tuba; 3'
Solo Instrumental/Concerto
2021- Hindewhu; piccolo and piano; 6’
2020- The Red Devil Dreams of Numbers; piano; 7'40"
2017- Dead White Man Music: Concerto for Harpsichord and Chamber Ensemble; harpsichord, flute, oboe, clarinet, bassoon, horn, piano, 2 violins, viola, cello, double bass; 28’
2017- if/else; flute and 2.1 interactive electronics; 6’
2015- Amber Waves; trombone and interactive electronics; 5-10'
2015- Rock Steady; alto saxophone; 4'
2015- Cantigas; cello and piano; 10'
2014- Benny; piano, interactive electronics, and video; 6'
2014- Wild Velvet; baritone saxophone, flute, clarinet/bass clarinet, horn, trombone, piano,
one percussionist, 2 violins, viola, cello, and double bass; 13'
2013- On the Will of Tones; piano; 6'
2012- the waters wrecked the sky; clarinet; 4'
2012- Three Etudes for Piano; piano; 14'
2010- Variations on “Old Hundredth”; organ; 7’
2021- Hindewhu; piccolo and piano; 6’
2020- The Red Devil Dreams of Numbers; piano; 7'40"
2017- Dead White Man Music: Concerto for Harpsichord and Chamber Ensemble; harpsichord, flute, oboe, clarinet, bassoon, horn, piano, 2 violins, viola, cello, double bass; 28’
2017- if/else; flute and 2.1 interactive electronics; 6’
2015- Amber Waves; trombone and interactive electronics; 5-10'
2015- Rock Steady; alto saxophone; 4'
2015- Cantigas; cello and piano; 10'
2014- Benny; piano, interactive electronics, and video; 6'
2014- Wild Velvet; baritone saxophone, flute, clarinet/bass clarinet, horn, trombone, piano,
one percussionist, 2 violins, viola, cello, and double bass; 13'
2013- On the Will of Tones; piano; 6'
2012- the waters wrecked the sky; clarinet; 4'
2012- Three Etudes for Piano; piano; 14'
2010- Variations on “Old Hundredth”; organ; 7’
Solo Vocal
2019- Songs of Innocence | Songs of Experience; texts by William Blake; vocalist, electric guitar, flute, clarinet/bass clarinet, percussion (vibraphone and drum set) violin, cello, and piano/synthesizer; 40'
2018- The Lonely Tree; texts by Edna St. Vincent Millay; soprano and piano; 22’
2018- Love Words | Mad Words; texts by Claude McKay; countertenor, clarinet/bass clarinet, violin, cello, electric guitar, and piano; 10’
2017- A Mother’s Love; texts by Ellen Watkin’s Harper, Sarah Louise Forten, and Sarah Mapps Douglass; mezzo soprano, clarinet, violin, cello, and piano; 16’
2011- Emily's House: Ten Poems from Emily Dickinson; soprano and piano; 15'
2019- Songs of Innocence | Songs of Experience; texts by William Blake; vocalist, electric guitar, flute, clarinet/bass clarinet, percussion (vibraphone and drum set) violin, cello, and piano/synthesizer; 40'
2018- The Lonely Tree; texts by Edna St. Vincent Millay; soprano and piano; 22’
2018- Love Words | Mad Words; texts by Claude McKay; countertenor, clarinet/bass clarinet, violin, cello, electric guitar, and piano; 10’
2017- A Mother’s Love; texts by Ellen Watkin’s Harper, Sarah Louise Forten, and Sarah Mapps Douglass; mezzo soprano, clarinet, violin, cello, and piano; 16’
2011- Emily's House: Ten Poems from Emily Dickinson; soprano and piano; 15'
Electroacoustic
2022- Formations (see Chamber)
2022- a ghost wandering in a world grown alien (see Orchestral)
2021- Four Places on Lake Michigan (see Chamber)
2020- Teach Yourself to Fly from this Pale Blue Dot (see Chamber)
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet; dancer(s) and interactive electronics; 30'
2017- The Impossible Voyage (see Film/Other)
2016- Called Back (see Choral/Chamber Vocal)
2015- Jonestown (see Operatic)
2015- Amber Waves (see Solo Instrumental/Concerto)
2014- Benny (see Solo Instrumental/Concerto)
2013- Utterings; 8-channel (also 4-channel, or stereo) fixed electronics; 8'
2013- Bodies Upon the Gears (see Chamber)
2013/2018- The Bells; 2-channel fixed electronics (or speaker and 4.1 interactive electronics); 7'
2013- The Ecstasy of St. Teresa; 2-channel fixed electronics; 7'
2022- Formations (see Chamber)
2022- a ghost wandering in a world grown alien (see Orchestral)
2021- Four Places on Lake Michigan (see Chamber)
2020- Teach Yourself to Fly from this Pale Blue Dot (see Chamber)
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet; dancer(s) and interactive electronics; 30'
2017- The Impossible Voyage (see Film/Other)
2016- Called Back (see Choral/Chamber Vocal)
2015- Jonestown (see Operatic)
2015- Amber Waves (see Solo Instrumental/Concerto)
2014- Benny (see Solo Instrumental/Concerto)
2013- Utterings; 8-channel (also 4-channel, or stereo) fixed electronics; 8'
2013- Bodies Upon the Gears (see Chamber)
2013/2018- The Bells; 2-channel fixed electronics (or speaker and 4.1 interactive electronics); 7'
2013- The Ecstasy of St. Teresa; 2-channel fixed electronics; 7'
Orchestral
2023- A Little Mass for Christmas (see Choral)
2022- Sinfony; chamber orchestra (2 oboes, 2 bassoons, harpsichord, strings); 5’
2021- Consummatum Est (see Choral)
2021- a ghost wandering in a world grown alien; symphony orchestra and audio playback; 7’
2020- The Quick and the Dead; symphony orchestra; 11'
2019- Titan; symphony orchestra; 2'30"
2017- The Dream Deferred; string orchestra and harp; 8’
2015- Shine; symphony orchestra; 3'
2012- Prelude in Tempore Belli; symphony orchestra; 6'
2010- Elegy for Strings; string orchestra; 9'
2023- A Little Mass for Christmas (see Choral)
2022- Sinfony; chamber orchestra (2 oboes, 2 bassoons, harpsichord, strings); 5’
2021- Consummatum Est (see Choral)
2021- a ghost wandering in a world grown alien; symphony orchestra and audio playback; 7’
2020- The Quick and the Dead; symphony orchestra; 11'
2019- Titan; symphony orchestra; 2'30"
2017- The Dream Deferred; string orchestra and harp; 8’
2015- Shine; symphony orchestra; 3'
2012- Prelude in Tempore Belli; symphony orchestra; 6'
2010- Elegy for Strings; string orchestra; 9'
Wind Band
2021- Lux Aeterna; wind ensemble; 7'
2021- love words; concert band (Grade 4); 9' 45"
2019- how many heartaches?; concert band (Grade 3) ; 5'
2012- Dodekatheon Sketches: Book I; wind ensemble; 15'
2010- Variations on "Wachet auf, ruft uns die Stimme"; concert band (Grade 4); 7'
2021- Lux Aeterna; wind ensemble; 7'
2021- love words; concert band (Grade 4); 9' 45"
2019- how many heartaches?; concert band (Grade 3) ; 5'
2012- Dodekatheon Sketches: Book I; wind ensemble; 15'
2010- Variations on "Wachet auf, ruft uns die Stimme"; concert band (Grade 4); 7'
Choral/Chamber Vocal
2023- A Little Mass for Christmas; traditional Latin text; 26’
2021- Consummatum Est; traditional Latin text; 8’
2021- Dust Bowl; text by Langston Hughes; four treble voices (SSSM); 6’
2020- Children of the Moon; text by W.E.B. Du Bois; SATB choir and piano; 4'20"
2019- So I Be Written in the Book of Love; text by Omar Khayyam, trans. Richard Le Gallienne; mixed choir (SSAATTBB); 4'
2016- Called Back; text by Emily Dickinson; four women's voices (SSSM); 10'
2010- Regina Caeli; traditional Latin text; unaccompanied women’s choir (SSAA); 6’
2023- A Little Mass for Christmas; traditional Latin text; 26’
2021- Consummatum Est; traditional Latin text; 8’
2021- Dust Bowl; text by Langston Hughes; four treble voices (SSSM); 6’
2020- Children of the Moon; text by W.E.B. Du Bois; SATB choir and piano; 4'20"
2019- So I Be Written in the Book of Love; text by Omar Khayyam, trans. Richard Le Gallienne; mixed choir (SSAATTBB); 4'
2016- Called Back; text by Emily Dickinson; four women's voices (SSSM); 10'
2010- Regina Caeli; traditional Latin text; unaccompanied women’s choir (SSAA); 6’
Dance/Ballet
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet (see Electroacoustic)
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet (see Electroacoustic)
Film/Other
2022- Formations (see Chamber)
2017- The Impossible Voyage; film by Georges Méliès; 20'
2015- Jonestown (see Operatic)
2014- Benny (see Solo Instrumental/Concerto)
2010- This is Lawrence: Gravity: 2'
2022- Formations (see Chamber)
2017- The Impossible Voyage; film by Georges Méliès; 20'
2015- Jonestown (see Operatic)
2014- Benny (see Solo Instrumental/Concerto)
2010- This is Lawrence: Gravity: 2'