Featured Works
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All Works
Click on links for audio samples, videos, program notes, and purchase information for each piece.
Contact the composer for scores, parts, and recordings not available for purchase
Contact the composer for scores, parts, and recordings not available for purchase
Chamber
2017- The Grand Unified Theory of Everything; oboe, clarinet, bass clarinet, alto saxophone, bassoon, and 4.1 interactive electronics; 6’
2016- Breathe; alto saxophone and drum set; 6’
2016- Heavy; bass clarinet, trombone, viola, electric guitar, and percussion; 9' 30"
2014- On the Nature of Resonance; harp and percussion (vibraphone, small drum); 8'
2014- Metal Work; trumpet, horn, bass trombone; 10'
2014- Quartet for Saxophones; saxophone quartet; 16'
2013- Bodies Upon the Gears; flute*, viola, fixed 2-channel electronics (*or clarinet); 4'
2013- GRIME; violin, viola, cello, bass; 8'
2013- Lux Aeterna; brass quintet; 7'
2011- String Quartet No. 2; string quartet; 20'
2010- Black Waters; saxophone quartet; 8’
2009- Piano Trio No. 1; piano trio; 16’
2017- The Grand Unified Theory of Everything; oboe, clarinet, bass clarinet, alto saxophone, bassoon, and 4.1 interactive electronics; 6’
2016- Breathe; alto saxophone and drum set; 6’
2016- Heavy; bass clarinet, trombone, viola, electric guitar, and percussion; 9' 30"
2014- On the Nature of Resonance; harp and percussion (vibraphone, small drum); 8'
2014- Metal Work; trumpet, horn, bass trombone; 10'
2014- Quartet for Saxophones; saxophone quartet; 16'
2013- Bodies Upon the Gears; flute*, viola, fixed 2-channel electronics (*or clarinet); 4'
2013- GRIME; violin, viola, cello, bass; 8'
2013- Lux Aeterna; brass quintet; 7'
2011- String Quartet No. 2; string quartet; 20'
2010- Black Waters; saxophone quartet; 8’
2009- Piano Trio No. 1; piano trio; 16’
Large Chamber
2017- Dead White Man Music (see Solo Instrumental/Concerto)
2016- The Quick and the Dead; flute, oboe, clarinet, alto saxophone, bassoon, horn, trumpet, trombone, 2 percussion, piano,
2 violins, viola, cello, double bass; 11'
2014- Beautiful Death; flute, oboe, clarinet, bassoon, 2 violins, viola, cello, double bass; 11’
2012- LUX; 2 C trpts, 4 horns, 3 tbns, tuba; 3'
2009- Ozymandias, 8-part trombone choir; 3’
2017- Dead White Man Music (see Solo Instrumental/Concerto)
2016- The Quick and the Dead; flute, oboe, clarinet, alto saxophone, bassoon, horn, trumpet, trombone, 2 percussion, piano,
2 violins, viola, cello, double bass; 11'
2014- Beautiful Death; flute, oboe, clarinet, bassoon, 2 violins, viola, cello, double bass; 11’
2012- LUX; 2 C trpts, 4 horns, 3 tbns, tuba; 3'
2009- Ozymandias, 8-part trombone choir; 3’
Solo Instrumental/Concerto
2018- The Devil in the Belfry; viola and piano; 9’
2017- Things I’ve Whispered to the Wind; violin and interactive electronics; 11’
2017- Dead White Man Music: Concerto for Harpsichord and Chamber Ensemble; harpsichord, flute, oboe, clarinet, bassoon, horn, piano, 2 violins, viola, cello, double bass; 28’
2017- if/else; flute and 2.1 interactive electronics; 6’
2015- Pralaya; piano, interactive electronics, and video; 12'
2015- Amber Waves; trombone and interactive electronics; 5-10'
2015- Rock Steady; alto saxophone; 4'
2015- Cantigas; cello and piano; 10'
2014- Benny; piano, interactive electronics, and video; 6'
2014- Wild Velvet; baritone saxophone, flute, clarinet/bass clarinet, horn, trombone, piano,
one percussionist, 2 violins, viola, cello, and double bass; 13'
2013- Mantras: Set II; solo percussion' 13'
2013- On the Will of Tones; piano; 6'
2013- Mantras: Set I; solo percussion; 15'
2012- the waters wrecked the sky; clarinet; 4'
2012- Three Etudes for Piano; piano; 14'
2010- Variations on “Old Hundredth”; organ; 7’
2009- Sonata for Tuba and Piano; tuba and piano; 12'
2018- The Devil in the Belfry; viola and piano; 9’
2017- Things I’ve Whispered to the Wind; violin and interactive electronics; 11’
2017- Dead White Man Music: Concerto for Harpsichord and Chamber Ensemble; harpsichord, flute, oboe, clarinet, bassoon, horn, piano, 2 violins, viola, cello, double bass; 28’
2017- if/else; flute and 2.1 interactive electronics; 6’
2015- Pralaya; piano, interactive electronics, and video; 12'
2015- Amber Waves; trombone and interactive electronics; 5-10'
2015- Rock Steady; alto saxophone; 4'
2015- Cantigas; cello and piano; 10'
2014- Benny; piano, interactive electronics, and video; 6'
2014- Wild Velvet; baritone saxophone, flute, clarinet/bass clarinet, horn, trombone, piano,
one percussionist, 2 violins, viola, cello, and double bass; 13'
2013- Mantras: Set II; solo percussion' 13'
2013- On the Will of Tones; piano; 6'
2013- Mantras: Set I; solo percussion; 15'
2012- the waters wrecked the sky; clarinet; 4'
2012- Three Etudes for Piano; piano; 14'
2010- Variations on “Old Hundredth”; organ; 7’
2009- Sonata for Tuba and Piano; tuba and piano; 12'
Solo Vocal
2018- The Lonely Tree; texts by Edna St. Vincent Millay; soprano and piano; 22’
2018- Love Words | Mad Words; texts by Claude McKay; countertenor, clarinet/bass clarinet, violin, cello, electric guitar, and piano; 10’
2017- A Mother’s Love; texts by Ellen Watkin’s Harper, Sarah Louise Forten, and Sarah Mapps Douglass; mezzo soprano, clarinet, violin, cello, and piano; 16’
2016- In This Paradise (after Schönberg’s Das Buch der Hängenden Gärten), mezzo soprano and piano, 1’ 20”
2011- Emily's House: Ten Poems from Emily Dickinson; soprano and piano; 15'
2010- Lenore; text by Edgar Allan Poe; mezzo-soprano and piano; 24’
2010- War Songs; text by George M. Cohan, Walt Whitman, Andrew Borene, Brian Turner, and Paul Laurence Dunbar;
baritone, flute, trumpet, french horn, percussion, piano, and string quartet (or baritone with piano); 20’
2010- The Rubaiyat of Omar Khayyam; text by Omar Khayyam, trans. Edward Fitzgerald; soprano, oboe/english horn,
violin, viola, cello, guitar, and percussion; 22’
2018- The Lonely Tree; texts by Edna St. Vincent Millay; soprano and piano; 22’
2018- Love Words | Mad Words; texts by Claude McKay; countertenor, clarinet/bass clarinet, violin, cello, electric guitar, and piano; 10’
2017- A Mother’s Love; texts by Ellen Watkin’s Harper, Sarah Louise Forten, and Sarah Mapps Douglass; mezzo soprano, clarinet, violin, cello, and piano; 16’
2016- In This Paradise (after Schönberg’s Das Buch der Hängenden Gärten), mezzo soprano and piano, 1’ 20”
2011- Emily's House: Ten Poems from Emily Dickinson; soprano and piano; 15'
2010- Lenore; text by Edgar Allan Poe; mezzo-soprano and piano; 24’
2010- War Songs; text by George M. Cohan, Walt Whitman, Andrew Borene, Brian Turner, and Paul Laurence Dunbar;
baritone, flute, trumpet, french horn, percussion, piano, and string quartet (or baritone with piano); 20’
2010- The Rubaiyat of Omar Khayyam; text by Omar Khayyam, trans. Edward Fitzgerald; soprano, oboe/english horn,
violin, viola, cello, guitar, and percussion; 22’
Electroacoustic
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet; dancer(s) and interactive electronics; 30'
2017- Things I’ve Whispered to the Wind (see Solo/Concerto)
2017- The Impossible Voyage (see Film/Other)
2016- Called Back (see Choral/Chamber Vocal)
2015- Pralaya (see Solo Instrumental/Concerto)
2015- Jonestown (see Operatic)
2015- Amber Waves (see Solo Instrumental/Concerto)
2014- Benny (see Solo Instrumental/Concerto)
2013- Utterings; 8-channel (also 4-channel, or stereo) fixed electronics; 8'
2013- Bodies Upon the Gears (see Chamber)
2013/2018- The Bells; 2-channel fixed electronics (or speaker and 4.1 interactive electronics); 7'
2013- The Ecstasy of St. Teresa; 2-channel fixed electronics; 7'
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet; dancer(s) and interactive electronics; 30'
2017- Things I’ve Whispered to the Wind (see Solo/Concerto)
2017- The Impossible Voyage (see Film/Other)
2016- Called Back (see Choral/Chamber Vocal)
2015- Pralaya (see Solo Instrumental/Concerto)
2015- Jonestown (see Operatic)
2015- Amber Waves (see Solo Instrumental/Concerto)
2014- Benny (see Solo Instrumental/Concerto)
2013- Utterings; 8-channel (also 4-channel, or stereo) fixed electronics; 8'
2013- Bodies Upon the Gears (see Chamber)
2013/2018- The Bells; 2-channel fixed electronics (or speaker and 4.1 interactive electronics); 7'
2013- The Ecstasy of St. Teresa; 2-channel fixed electronics; 7'
Orchestral
2017- The Dream Deferred; string orchestra and harp; 8’
2015- Shine; symphony orchestra; 3'
2012- Prelude in Tempore Belli; symphony orchestra; 6'
2010- Elegy for Strings; string orchestra; 9'
2017- The Dream Deferred; string orchestra and harp; 8’
2015- Shine; symphony orchestra; 3'
2012- Prelude in Tempore Belli; symphony orchestra; 6'
2010- Elegy for Strings; string orchestra; 9'
Wind Band
2012- Dodekatheon Sketches: Book I; wind ensemble; 15'
2010- Variations on "Wachet auf, ruft uns die Stimme"; concert band (Grade 4); 7'
2012- Dodekatheon Sketches: Book I; wind ensemble; 15'
2010- Variations on "Wachet auf, ruft uns die Stimme"; concert band (Grade 4); 7'
Choral/Chamber Vocal
2016- Called Back; text by Emily Dickinson; four women's voices (SSSM); 10'
2014- Dirge for a Soldier; text by Paul Laurence Dunbar; men's chorus (TTBB) and piano; 8'
2010- Regina Caeli; traditional Latin text; unaccompanied women’s choir (SSAA); 6’
2016- Called Back; text by Emily Dickinson; four women's voices (SSSM); 10'
2014- Dirge for a Soldier; text by Paul Laurence Dunbar; men's chorus (TTBB) and piano; 8'
2010- Regina Caeli; traditional Latin text; unaccompanied women’s choir (SSAA); 6’
Dance/Ballet
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet (see Electroacoustic)
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet (see Electroacoustic)
Film/Other
2017- The Impossible Voyage; film by Georges Méliès; 20'
2015- Pralaya (see Solo Instrumental/Concerto)
2015- Jonestown (see Operatic)
2014- Benny (see Solo Instrumental/Concerto)
2012- A Piece of Afternoon; 5'
2010- This is Lawrence: Gravity: 2'
2017- The Impossible Voyage; film by Georges Méliès; 20'
2015- Pralaya (see Solo Instrumental/Concerto)
2015- Jonestown (see Operatic)
2014- Benny (see Solo Instrumental/Concerto)
2012- A Piece of Afternoon; 5'
2010- This is Lawrence: Gravity: 2'
