Featured Works
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All Works
Click on links for audio samples, videos, program notes, and purchase information for each piece.
Contact the composer for scores, parts, and recordings not available for purchase
Contact the composer for scores, parts, and recordings not available for purchase
Chamber
2023- Piano Trio No. 2; piano trio; 10’
2022- Formations; French horn, trombone, and interactive electronics and video; 12’
2021- Four Places on Lake Michigan; flute, clarinet (with bass clarinet), violin, cello, and audio playback; 12’35”
2020- Teach Yourself to Fly from this Pale Blue Dot; percussion and piano; 12'
2016- Breathe; alto saxophone and drum set; 6’
2016- Heavy; bass clarinet, trombone, viola, electric guitar, and percussion (or flute, bass clarinet, electric guitar, double bass, and piano); 9' 30"
2014- On the Nature of Resonance; harp and percussion (vibraphone, small drum); 8'
2014- Metal Work; trumpet, horn, bass trombone (or saxophone trio); 10'
2014- Quartet for Saxophones; saxophone quartet; 16'
2013- Bodies Upon the Gears; flute*, viola, fixed 2-channel electronics (*or clarinet); 4'
2013- GRIME; violin, viola, cello, bass; 8'
2013- Lux Aeterna; brass quintet; 7'
2011- String Quartet No. 2; string quartet; 20'
2010- Black Waters; saxophone quartet; 8’
2009- Piano Trio No. 1; piano trio; 16’
2023- Piano Trio No. 2; piano trio; 10’
2022- Formations; French horn, trombone, and interactive electronics and video; 12’
2021- Four Places on Lake Michigan; flute, clarinet (with bass clarinet), violin, cello, and audio playback; 12’35”
2020- Teach Yourself to Fly from this Pale Blue Dot; percussion and piano; 12'
2016- Breathe; alto saxophone and drum set; 6’
2016- Heavy; bass clarinet, trombone, viola, electric guitar, and percussion (or flute, bass clarinet, electric guitar, double bass, and piano); 9' 30"
2014- On the Nature of Resonance; harp and percussion (vibraphone, small drum); 8'
2014- Metal Work; trumpet, horn, bass trombone (or saxophone trio); 10'
2014- Quartet for Saxophones; saxophone quartet; 16'
2013- Bodies Upon the Gears; flute*, viola, fixed 2-channel electronics (*or clarinet); 4'
2013- GRIME; violin, viola, cello, bass; 8'
2013- Lux Aeterna; brass quintet; 7'
2011- String Quartet No. 2; string quartet; 20'
2010- Black Waters; saxophone quartet; 8’
2009- Piano Trio No. 1; piano trio; 16’
Large Chamber
2023- Crosstown Counterpoint; two antiphonal string quartets and audio playback; 14’
2020- Sound an Alarm; 4 saxophones and 4 percussionists; 12'
2019- Songs of Innocence | Songs of Experience (see Solo Vocal)
2017- Dead White Man Music (see Solo Instrumental/Concerto)
2016- The Quick and the Dead; flute, oboe, clarinet, alto saxophone, bassoon, horn, trumpet, trombone, 2 percussion, piano,
2 violins, viola, cello, double bass; 11'
2014- Beautiful Death; flute, oboe, clarinet, bassoon, 2 violins, viola, cello, double bass; 11’
2012- LUX; 2 C trpts, 4 horns, 3 tbns, tuba; 3'
2023- Crosstown Counterpoint; two antiphonal string quartets and audio playback; 14’
2020- Sound an Alarm; 4 saxophones and 4 percussionists; 12'
2019- Songs of Innocence | Songs of Experience (see Solo Vocal)
2017- Dead White Man Music (see Solo Instrumental/Concerto)
2016- The Quick and the Dead; flute, oboe, clarinet, alto saxophone, bassoon, horn, trumpet, trombone, 2 percussion, piano,
2 violins, viola, cello, double bass; 11'
2014- Beautiful Death; flute, oboe, clarinet, bassoon, 2 violins, viola, cello, double bass; 11’
2012- LUX; 2 C trpts, 4 horns, 3 tbns, tuba; 3'
Solo Instrumental/Concerto
2021- Hindewhu; piccolo and piano; 6’
2020- The Red Devil Dreams of Numbers; piano; 7'40"
2017- Dead White Man Music: Concerto for Harpsichord and Chamber Ensemble; harpsichord, flute, oboe, clarinet, bassoon, horn, piano, 2 violins, viola, cello, double bass; 28’
2017- if/else; flute and 2.1 interactive electronics; 6’
2015- Amber Waves; trombone and interactive electronics; 5-10'
2015- Rock Steady; alto saxophone; 4'
2015- Cantigas; cello and piano; 10'
2014- Benny; piano, interactive electronics, and video; 6'
2014- Wild Velvet; baritone saxophone, flute, clarinet/bass clarinet, horn, trombone, piano,
one percussionist, 2 violins, viola, cello, and double bass; 13'
2013- On the Will of Tones; piano; 6'
2012- the waters wrecked the sky; clarinet; 4'
2012- Three Etudes for Piano; piano; 14'
2010- Variations on “Old Hundredth”; organ; 7’
2021- Hindewhu; piccolo and piano; 6’
2020- The Red Devil Dreams of Numbers; piano; 7'40"
2017- Dead White Man Music: Concerto for Harpsichord and Chamber Ensemble; harpsichord, flute, oboe, clarinet, bassoon, horn, piano, 2 violins, viola, cello, double bass; 28’
2017- if/else; flute and 2.1 interactive electronics; 6’
2015- Amber Waves; trombone and interactive electronics; 5-10'
2015- Rock Steady; alto saxophone; 4'
2015- Cantigas; cello and piano; 10'
2014- Benny; piano, interactive electronics, and video; 6'
2014- Wild Velvet; baritone saxophone, flute, clarinet/bass clarinet, horn, trombone, piano,
one percussionist, 2 violins, viola, cello, and double bass; 13'
2013- On the Will of Tones; piano; 6'
2012- the waters wrecked the sky; clarinet; 4'
2012- Three Etudes for Piano; piano; 14'
2010- Variations on “Old Hundredth”; organ; 7’
Solo Vocal
2019- Songs of Innocence | Songs of Experience; texts by William Blake; vocalist, electric guitar, flute, clarinet/bass clarinet, percussion (vibraphone and drum set) violin, cello, and piano/synthesizer; 40'
2018- The Lonely Tree; texts by Edna St. Vincent Millay; soprano and piano; 22’
2018- Love Words | Mad Words; texts by Claude McKay; countertenor, clarinet/bass clarinet, violin, cello, electric guitar, and piano; 10’
2017- A Mother’s Love; texts by Ellen Watkin’s Harper, Sarah Louise Forten, and Sarah Mapps Douglass; mezzo soprano, clarinet, violin, cello, and piano; 16’
2011- Emily's House: Ten Poems from Emily Dickinson; soprano and piano; 15'
2019- Songs of Innocence | Songs of Experience; texts by William Blake; vocalist, electric guitar, flute, clarinet/bass clarinet, percussion (vibraphone and drum set) violin, cello, and piano/synthesizer; 40'
2018- The Lonely Tree; texts by Edna St. Vincent Millay; soprano and piano; 22’
2018- Love Words | Mad Words; texts by Claude McKay; countertenor, clarinet/bass clarinet, violin, cello, electric guitar, and piano; 10’
2017- A Mother’s Love; texts by Ellen Watkin’s Harper, Sarah Louise Forten, and Sarah Mapps Douglass; mezzo soprano, clarinet, violin, cello, and piano; 16’
2011- Emily's House: Ten Poems from Emily Dickinson; soprano and piano; 15'
Electroacoustic
2022- Formations (see Chamber)
2022- a ghost wandering in a world grown alien (see Orchestral)
2021- Four Places on Lake Michigan (see Chamber)
2020- Teach Yourself to Fly from this Pale Blue Dot (see Chamber)
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet; dancer(s) and interactive electronics; 30'
2017- The Impossible Voyage (see Film/Other)
2016- Called Back (see Choral/Chamber Vocal)
2015- Jonestown (see Operatic)
2015- Amber Waves (see Solo Instrumental/Concerto)
2014- Benny (see Solo Instrumental/Concerto)
2013- Utterings; 8-channel (also 4-channel, or stereo) fixed electronics; 8'
2013- Bodies Upon the Gears (see Chamber)
2013/2018- The Bells; 2-channel fixed electronics (or speaker and 4.1 interactive electronics); 7'
2013- The Ecstasy of St. Teresa; 2-channel fixed electronics; 7'
2022- Formations (see Chamber)
2022- a ghost wandering in a world grown alien (see Orchestral)
2021- Four Places on Lake Michigan (see Chamber)
2020- Teach Yourself to Fly from this Pale Blue Dot (see Chamber)
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet; dancer(s) and interactive electronics; 30'
2017- The Impossible Voyage (see Film/Other)
2016- Called Back (see Choral/Chamber Vocal)
2015- Jonestown (see Operatic)
2015- Amber Waves (see Solo Instrumental/Concerto)
2014- Benny (see Solo Instrumental/Concerto)
2013- Utterings; 8-channel (also 4-channel, or stereo) fixed electronics; 8'
2013- Bodies Upon the Gears (see Chamber)
2013/2018- The Bells; 2-channel fixed electronics (or speaker and 4.1 interactive electronics); 7'
2013- The Ecstasy of St. Teresa; 2-channel fixed electronics; 7'
Orchestral
2023- A Little Mass for Christmas (see Choral)
2022- Sinfony; chamber orchestra (2 oboes, 2 bassoons, harpsichord, strings); 5’
2021- Consummatum Est (see Choral)
2021- a ghost wandering in a world grown alien; symphony orchestra and audio playback; 7’
2020- The Quick and the Dead; symphony orchestra; 11'
2019- Titan; symphony orchestra; 2'30"
2017- The Dream Deferred; string orchestra and harp; 8’
2015- Shine; symphony orchestra; 3'
2012- Prelude in Tempore Belli; symphony orchestra; 6'
2010- Elegy for Strings; string orchestra; 9'
2023- A Little Mass for Christmas (see Choral)
2022- Sinfony; chamber orchestra (2 oboes, 2 bassoons, harpsichord, strings); 5’
2021- Consummatum Est (see Choral)
2021- a ghost wandering in a world grown alien; symphony orchestra and audio playback; 7’
2020- The Quick and the Dead; symphony orchestra; 11'
2019- Titan; symphony orchestra; 2'30"
2017- The Dream Deferred; string orchestra and harp; 8’
2015- Shine; symphony orchestra; 3'
2012- Prelude in Tempore Belli; symphony orchestra; 6'
2010- Elegy for Strings; string orchestra; 9'
Wind Band
2021- Lux Aeterna; wind ensemble; 7'
2021- love words; concert band (Grade 4); 9' 45"
2019- how many heartaches?; concert band (Grade 3) ; 5'
2012- Dodekatheon Sketches: Book I; wind ensemble; 15'
2010- Variations on "Wachet auf, ruft uns die Stimme"; concert band (Grade 4); 7'
2021- Lux Aeterna; wind ensemble; 7'
2021- love words; concert band (Grade 4); 9' 45"
2019- how many heartaches?; concert band (Grade 3) ; 5'
2012- Dodekatheon Sketches: Book I; wind ensemble; 15'
2010- Variations on "Wachet auf, ruft uns die Stimme"; concert band (Grade 4); 7'
Choral/Chamber Vocal
2023- A Little Mass for Christmas; traditional Latin text; 26’
2021- Consummatum Est; traditional Latin text; 8’
2021- Dust Bowl; text by Langston Hughes; four treble voices (SSSM); 6’
2020- Children of the Moon; text by W.E.B. Du Bois; SATB choir and piano; 4'20"
2019- So I Be Written in the Book of Love; text by Omar Khayyam, trans. Richard Le Gallienne; mixed choir (SSAATTBB); 4'
2016- Called Back; text by Emily Dickinson; four women's voices (SSSM); 10'
2010- Regina Caeli; traditional Latin text; unaccompanied women’s choir (SSAA); 6’
2023- A Little Mass for Christmas; traditional Latin text; 26’
2021- Consummatum Est; traditional Latin text; 8’
2021- Dust Bowl; text by Langston Hughes; four treble voices (SSSM); 6’
2020- Children of the Moon; text by W.E.B. Du Bois; SATB choir and piano; 4'20"
2019- So I Be Written in the Book of Love; text by Omar Khayyam, trans. Richard Le Gallienne; mixed choir (SSAATTBB); 4'
2016- Called Back; text by Emily Dickinson; four women's voices (SSSM); 10'
2010- Regina Caeli; traditional Latin text; unaccompanied women’s choir (SSAA); 6’
Dance/Ballet
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet (see Electroacoustic)
(Ongoing)- Sounding Bodies: An Electroacoustic Ballet (see Electroacoustic)
Film/Other
2022- Formations (see Chamber)
2017- The Impossible Voyage; film by Georges Méliès; 20'
2015- Jonestown (see Operatic)
2014- Benny (see Solo Instrumental/Concerto)
2010- This is Lawrence: Gravity: 2'
2022- Formations (see Chamber)
2017- The Impossible Voyage; film by Georges Méliès; 20'
2015- Jonestown (see Operatic)
2014- Benny (see Solo Instrumental/Concerto)
2010- This is Lawrence: Gravity: 2'